One thing I’ve been pondering as I work on two different MSS is the hows and whys of social change, and how people of the day responded to them. Looking back at the Harlem Renaissance, or even the rise of the Arts and Crafts movement in Edwardian England, we can easily pinpoint this style happened in this year because of XYZ. We are able to say “Important Writer/Artist was saying this to another VIP here after ABC.” It’s all very self-conscious of the past and whose work we consider influential and game-changing, but what was the every day life like for the people in the thick of modernism?
I finished Everybody Behaves Badly by Lesley M.M. Blume last week, and was left incredibly curious about Hemingway’s belief that he was going to change literature with his first novel. Was his assurance more than simple arrogance and self-congratulation? Was 1920s society really clamoring for something new and different? What if his book bombed? (There are plenty of now-forgotten modernist novels published at the same time)
Since my primary WIP is set during the Harlem Renaissance, I’m reading copious amounts of poetry, essays, short stories, fiction, plays, and artwork produced by the leading figures of the New Negro Movement, not simply for research but to understand the conversations between their creators. I am also listening to blues and early jazz, and reading newspapers to find connections between the creatives and the common people in Harlem since, after all, the movement was dominated by the educated, somewhat financially secure Harlemites.
But in general, I’m trying to figure out the actual conversations of my characters as they move through the 1920s. Would it be pretentious, precious, and self-conscious for them to espouse what was going on right now? (And the swiftness with which new ideas are exchanged in 2016 is something to consider when reflecting on the speed of the past) Would over-awareness seem like info-dump? Would holding too much back make the characters formless and opaque?
I’m still working on this.